We play a wide variety of tunes from Maynard to Spyro Gyra. In these Joe is playing a Selmer setup, mouthpiece and horn, while most of us are more accustomed to hearing him on a Conn with Link. “There! So unless you know the exact model someone is playing, you can't really try to simulate it. He began playing the saxophone at age six and by age 16, he was performing regularly with his parents at the Village Gate. By continuing to browse our site you agree to our use of data and cookies. Terms of Use Pictures. If Joe had a tremor, or arthritis, that would make it very difficult to play the keys.” There’s also vision: reading a complex score, in low stage lighting, can be an effort—not to mention holding a 20-pound instrument hours at a time. You may just want to try some different reeds first. Every member of JLCO, including Marsalis himself, expresses awe at his stamina. The v16 is really easy to start on the bell notes at low volume and although dark you can develop some edge on it, and very reed friendly. ligature - ishimori solid silver. “It's difficult to express in words,” admits the highly expressive Marsalis, “the depth of respect and admiration we have for Joe. Born in the mining community of Lochgelly, Scotland in 1929, Temperley is not quite the oldest professional saxophone player in America. Most mouthpieces sound the same at low volumes. In these Joe is playing a Selmer setup, mouthpiece and horn, while most of us are more accustomed to hearing him on a Conn with Link. Carney had blown the baritone sax for Duke Ellington and was one of Joe’s heroes. He does a lot of things that a lot of people don't know about. Privacy Statement The thing about Berg Larsens is that they range from quite low baffle to very high baffle. We play a few tunes from the Essentially Ellington Library, as well as arranged versions based off of original recordings. And Charlie Mingus, André Previn, Bill Evans. How Human Y Chromosomes Replaced Those of Neanderthals in a Quiet Genetic Takeover, Archaeologists in Turkey Unearth 2,400-Year-Old Dionysus Mask, 3-D Reconstruction Reveals the Face of an Ancient Egyptian Toddler, Why Sweden’s Ancient Tradition of Calling Home the Herds Is Women’s Work, Fourteen Fun Facts About Love and Sex in the Animal Kingdom. “All the stuff that I learned, I learned by doing.”. All in one person. Very closed. And he's written a jazz symphony, Swing Symphony he calls it, which we premiered in 2010 with the Berlin Philharmonic.”, “Are Wynton’s pieces challenging because of their length or their difficulty?”, “Their length,” Joe says philosophically. “Miles Davis came in two or three times. People from the Ellington band. I say try everything regardless of the price. If I were you, I'd try the Metallite. Joe Temperley, 82, lifts his heavy baritone sax with the weightless ease of an elephant raising its trunk. Alright I'll take that into consideration. He’s someone who's willing to share with everyone else—and at the same time he can always express his own opinion in his own, very unique way.”, “So in a crowded room,” I ask, “would you recognize Joe’s sound?”, “Yes,” Goines answers, unhesitating. He’s one of those musicians who have come to look like their sound. “Joe is one of the greatest baritone saxophone players that ever lived, the biggest sound that you ever want to hear,” says Sherman Irby. Smithsonian Institution, (Frank Stewart for Jazz at Lincoln Center). I'd love to find another one of those.
“When you hear his sound you love him automatically, because it's so full of warmth and soul and feeling. He wrote The Vitoria Suite, which has about 12 movements, inspired by Basque music and flamenco music. [QUOTE=BH9;2626886]Here's the first of the five Joe Temperley videos that someone mentioned. “We spent a lot of time in New York, and I saw a lot of jazz. Irby points at him with the fingers of both hands. I used a Rico Metallite for years in my big band, and it fits really well. What’s remarkable about Joe is that playing the saxophone also requires excellent eye and hand coordination, which often becomes impaired with age. I guess it's just me cause I'd think an SR Tech Pro is a good choice for big-band work.
“Billie Holiday… Frank Sinatra… Ella Fitzgerald….Barbara Streisand….” Joe squints into the past; the list seems endless.
“Yeah. Thanks guys. For my combo playing I've always used my SR Tech Pro mouthpiece, witch is alright for combo playing, but not very good for big band music, and we play a lot of Ellington and Basie tunes. Clarinet Buffet R13, or Rossi, or Selmer (depending on my musical environment) Mouthpiece – Vandoren B45 Lyre, B40-13 or Richard Hawkins I've been playing a Vandoren V16 for while, which is fantastic, but just ordered an RPC 110B as I want a bit more bite. tenor sax setup horn - selmer mark vii. We’re in our 20s and 30s, and Joe’s 20 steps ahead of us.
Here's the first of the five Joe Temperley videos that someone mentioned. Then he comes back to the hotel, changes his clothes, jumps in a taxi, and goes out to find somewhere he can play. So all the guys are complaining, ‘Man, we gotta get up early, we gotta carry our bags, we gotta do this and that.’ And Joe Temperley is walking in front of everyone. I still prefer a boomie sound rather than cutting for bari. But its heart is located two rows forward. “And he's still inquisitive, he's still learning, he's still finding new stuff to work on.”, In person, Joe gives an impression of stability, solidity. “And their difficulty.”. 17th Annual Photo Contest Finalists Announced. California Do Not Sell My Info
Tim Sullivan was playing a Metallite, and I think it was a 5. Joe Temperley had a very nice soprano sound too. or But his first sax was a 14th-birthday gift from his older brother, who played the trumpet. You don't need to be concerned right now about what Harry Carney and Gerry Mulligan played. That’s it. The sound on the youtube clip is okay but just a sliver of the actual Temperley magic. I find it surprising the a HS big band is playing a lot of Ellington and Basie.
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I'd prefer a Rubber over metal. He blows a few bars, his rich, resonant tone unmistakable even in this crowded room. reeds - select jazz 3s (filled) corrybros tone tablet - link “We all hope we can be like that when we get to his age. This Map Lets You Plug in Your Address to See How It's Changed Over the Past 750 Million Years, In 'a Huge Victory,' California’s Joshua Tree Becomes the First Plant Protected Due to Climate Change, New Study Finds Dogs May Not Spread Covid-19, but Cats Can Pass It to Each Other, Let These Photos Take You to Alaska's Abandoned Mining Towns, 1,500-Year-Old Massacre Unearthed in Sweden, The Unsuccessful WWII Plot to Fight the Japanese With Radioactive Foxes. When I played a lot of bari, I used a Link HR and it was a great mouthpiece. From that point on, Joe was on his own. Give a Gift. Mark VI (previously owned by Joe Temperley) or Yanagisawa from the 1980s (Vito Stencil) Mouthpiece – Bari 66, or Selmer E Reeds – D’addario Jazz Select or Royal Ligature – Selmer or Vandoren. Advanced User Tagging v3.2.2 Patch Level 1 (Lite). It's also a personal, a spiritual thing. And he's the center of our band.”. And we never know what we're going to play, because Wynton picks out the music at the last minute! Aside from his prowess behind the instrument, Temperley’s physical endurance has become the stuff of legend. Though Temperley left Ellington in 1984, he kept coming back—to tour Japan, and perform for two years in the Broadway run of Sophisticated Ladies. ), Perdido, etc.) I think that RPC, bar none, is the best baritone mouthpiece I've ever played. I had Erik Greiffenhagen reface it and do his double chamber conversion and that made it even better.
Most other mouthpiece brands have a particular characteristic and the only real variation is in the facing (examples: Link, Meyer, Vandoren). The two chairs that drive it are lead alto and baritone. Very closed.